18 February 2010

Whiteworld: Constant Montald

















"I can change water into wine
solve the riddle for the Sphinx
I like the perfectly primitive
cause they desperately need
my sovereignty over Third World Thebes
I’m a First World Oedipus

and Mother Earth is
down on her knees
Whiteworld. "
- excerpt from Whiteworld by Patricia Barber


















It's not so far from the paintings of Constant Montald to the jazz of Patricia Barber as you might think. Barber's Whiteworld, part of her song cycle Mythologies, is a satire on Western colonialism. Montald (1862-1944) was a Belgian artist who used the symbolism of mythology to comment on the politics of his time, Belgian exploitation of the African Congo among them.

Yes, Montald's use of white is a notable feature of his work. As a student, even before he won the Prix de Rome in 1886, Montald studied the varieties of fresco. Delighted by the Sistine Chapel ceiling and the works of Renaissance master Giotto, he brought home an interest in metallic paints, especially gold leaf set off against Mediterranean blue. Even when the artist experimented with a monochrome palette, beginning around 1915, his work remained rooted in the basic white of fresh plaster. Something else is new in The Ladder and Garden Under Snow. Trees cast no shadows yet daytime scenes are enclosed in nighttime shadows. While Montald was creating these works, he was teaching future Surrealists Rene Magritte and Paul Delvaux at the Royal Academy of Art in Brussels. You can see where things are going here.

Montald had married, in 1892, a textile artist Gabrielle Canivet, and the sylvan scene in shades of brown and mauve is full of what he learned from her.

Montald died on the street, apparently from a stroke, but his death shares the enigmatic, solitary vision that we find in his paintings. The beauty of the Art Nouveau architecture that had recently reshaped Brussels existed irrationally under a palimpsest made by the realities of two world wars, or even everyday life. Montald understood this and he passed his vision to Magritte and Delvaux.



Images:
1. Dancing Nymphs, 1898, Royla museum of Fine Arts, Brussels
 2. The Fountain of Inspiration, 1907, Royal Museum of Fine Arts, Belgium.
 3. Woman With Peacocks, 1909, Royal Museum of Fine Arts, Brussels.
 4.Tree, undated, Christies, Ltd. 
 5. The Ladder, Vincent Lecuye Gallery, Brussels. 
 6. Garden Under Snow, 1916, Royal Museum of Fine Arts, Brussels. 
 7. with Fernande Dubois, a tapestry, untitled, c.1928, Musee Communale, Woluwe Saint-Lambert, Belgium.

5 comments:

Delilah said...

wonderful blog

P. M. Doolan said...

I had never heard of Montald before but I will certainly check him out now. Thanks for this.

femminismo said...

Lovely examples of work. You're a gem!

Lorenzo said...

I am new to the blog via Art Ravels and am really enjoying your work. This post is especially nice. Lovely images of an artist I am unfamiliar with, interesting information and very nicely written. I'll be back!

Jane said...

I'm happy that you all enjoyed this piece. So far as I can tell, there are no museums in North America that own Montald's works. At this distance it's difficult to parse the political elements in the work, but good to be aware of them. His work is an unusual blend of the decorative and political. Reflection and mimicking are frequent in his pictures also.