17 May 2011

Cezanne, You Painted The Wrong Rose !


"The rose is wrong.  I know what I'm doing." - Odilon Redon








"My flowers exist at the confluence of two riverbanks, that of representation and that of memory." 





"I refused to embark on the Impressionist boat because I found the ceiling too low.” -  from a letter to Paul Serusier.







 "As a child I sought out the shadows.  I remember taking a deep and unusual joy in hiding under the big curtains and in  the dark corners of the house."

"..the right .to dream, in indulge in the exuberant creativity of pure visual poetry, the right to depict forms never seen in nature, giving oneself over to the transports of fantastic mythology and symbolic story-telling."

Curious that an artist who created imaginary beings became famous thanks to a fictional character in an anti-realistic novel. Odilon Redon (1840-1916), the artist, did not share the revulsion toward the natural world of des Esseintes in Joris-Karl Husymans' novel Against Nature (1884).  But the book's sensational success magnified Redon's reputation, and it was Husymans introduced him to Symbolist  poet Stephane Mallarme.

After a misguided apprenticeship with the academic painter Jean-Leon Gerome, Odilon Redon studied with an eccentric, opium smoking lithographer named Rudolf Bresdin, who admonished the young man,  "The real artists ought not even to look at nature." 

At the same time Redon's new friend, botanist Amand Clavaud, introduced him to the underworld as seen through a microscope,  bacilii that Redon  later described as  "(the) terrifying world of the infinitely minute." - from A Soi-meme.  

Pairing the pastels of Redon with the writing of Ingeborg Bachmann is not so far-fetched as it may seemBachmann the writer was provocative and so was Redon, who hoped to provoke in his viewers " a sort of diffuse but powerful attraction to the obscure world of the indeterminate and to set him thinking." - Redon to his publisher Andre Mellerio, 1898.



Images: by Odilon Redon
1.  Vase of Flowers - After Cezanne, 1898, Norton Simon Museum, Pasadena.
2. decorative panel executed for a residence at Dommency, 1902, Musee d'Orsay, Paris.
3. The Butterflies, 1910, Galerie Brame-lorenceau, Paris.
4. Old Man With Wings, c.1895, Louvre Museum, Paris.
5. Head of a woman, no date, Dallas Museum of Art.
6.Flowers in a vae, c. 1905, Carnegie Museum of art, Pittsburgh.
7. Le Printemps (Spring), no date, Pushkin Museum, Moscow.
8. The old tree in the field, no date, Musee d'Orsay, Paris.

6 comments:

Andy McEwan said...

Jane,
Thanks for these most interesting posts on Redon.I have been fascinated by his imagery since I first encountered it many (many)years ago in reproduction, co-incidentally around the same time as I discovered Huysmans' works. Both were magical discoveries for a teenager, as I then was. ("Ou sont les neiges d'antan?") There is a major Redon retrospective in Paris until 20 June this year and I plan to be there to see a host of Redon's amazing pictures.
Andy.

Jane said...

It would be interesting to know what pictures were chosen for this exhibition. I'm green with envy.

Melinda9 said...

His colors are always amazing.

Jane said...

Melinda, I worry sometimes about the preservation of pastels, although watercolors fade faster. What colors, indeed.

Andy McEwan said...

Jane,
I did eventually get to the exhibition "Odilon Redon: Prince du Reve 1840-1916" at The Grand Palais in Paris. It was a huge exhibition, featuring 256 pieces of work by Redon, so I'm afraid I can't tell you about all the pictures shown. Many of the works were, as one might expect, graphic ones, so predominantly black and white. However, the latter part of the exhibit contained many paintings in bright colours, particularly flower pieces, and there was an impressive reconstruction of the panels from the dining room of the Chateau de Domecy. A veritable feast for the eyes.
Paris had an embarrassment of riches for lovers of art in June with "Manet: inventeur du moderne" at Gare d'Orsay as well as "Paris in the time of the Impressionists" at the Hotel de Ville. So much art, so little time.
Best wishes,
Andy.

Jane said...

Andy, I had no idea the exhibition would be so big! The panels from Domency look lovely, even in reproduction. They must have been ravishing all together, for real. Lucky you. And thanks for the information.