I was taken with this farm girl's dress, its orderly rows of white dots dominating the center of the picture. The tools on the wall and the baskets and barrel form a pleasing diagonal line that opens the image out from the young girl at its center. And with what deftness the artist delineates the rooster in the lower right corner. Fresh Eggs nicely illustrates the decorative quality that appeared in Homer's pictures in the 1870s.
Young girls, usually outdoors, working as shepherdesses or dreaming under sheltering trees. Young women, often school teachers, making their way in the post-Civil War world as it slowly opened its doors to female education and independence. Winslow Homer possessed an instinctive sympathy for them all, perhaps influenced by his close relationship with his mother, Henrietta Benson Homer, herself an amateur watercolorist and Homer's first teacher.
Image: Winslow Homer - Fresh Eggs, 1874, watercolor, gouache, and graphite on wove paper, National Gallery of Art, Washington, DC.