"In such a porcelain life, one like to be sure that all is well, lest one stumble upon one's hopes in a pile of broken pottery." - Emily Dickinson
In this marvelous vase designed by Ernest Chaplet (1835-1909) I see so much detail integrated so harmoniously. The choice of blue for the flowers is unexpected. The vase is molded and glazed with colored highlights. At center is a hen with her chicks and a cockerel incised into the sandstone. The design was taken from a series of Japanese woodblock prints Kacho sansui zushiki or Drawings of flowers, birds, and landscapes by Katsushika Isai (1821-1880), a pupil of Hokusai.
Cite de la ceramique, French museum of ceramics was founded in 1824, eleven years before Ernest Chaplet was born in Sevres. His parents owned a cabaret and, by all accounts, the boy had a happy childhood. At age thirteen, Ernest became an apprentice at the porcelain factory. Later he was put to work decorating everyday earthenware while doing his compulsory military service.
Chaplet would become the supervisor of Haviland et Cie in 1882. The Haviland Brothers, David and Daniel, founded their eponymous company in France to produce porcelain for export to America. The company, and specifically Ernest Chaplet, was instrumental in the revival of the use of stoneware in the late 19th century. Felix Bracquemond discovered a set of Isai's drawings at a painter's studio in Paris in 1865. Two years later, after seeing the Exposition Universelle in Paris, Chaplet opened an experimental studio in the suburb of Auteuil where he put his friend Bracquemond in charge. This particular piece was the product of their long anf fruitful collaboration.
Image: Ernest Chaplet (1835-1909) - vase with japonisme decorations, circa 1883-1885, gray sandstone molded and engraved with gold, Musee d'Orsay, Paris.
2 comments:
I hope to go to the Orsay museum next month, another discovery to make, thank you, Jane.
Tania, yes you will have to keep us all up to date about your visit.
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