18 October 2012

Rose Sauvage: Raoul Dufy

He was the indispensable man, the person who brought together the wild colors of Fauvism, the  plural viewpoints of cubism, interest in the arts of Africa and Asia, and an unapologetic talent for decoration.  In painting, tapestry, stage design, ceramics, and textiles,  Raoul Dufy (1877-1953) was creating Art Deco, a movement that only needed a name, starting in 1910.

We associate Dufy with perpetual summer and yet he grew up  in the northern French port city of Le Havre, a place of gunmetal seas and overcast skies.   His first encounter with something tropical came at the age of sixteen when he went to work in the office of of a Brazilian coffee importer, inspecting foreign produce on the aptly named  Quai du Commerce.

By the time Dufy arrived in Paris he was twenty-three and it was 1900, the year of the International Exposition, which he did not attend.  But the renewed interest in the decorative arts suited his style. Dufy did set himself up in a studio, shared with a friend from home, Othon Frieze who was also an aspiring artist.   They shared the building in the rue Cortot with  Suzanne Valadon and Max Jacob but  Dufy was not a typical Montmartrian.  In Portraits sans retouches (1952) Roland Dorgeles remembered him this way: “He was never seen untidily dressed, without a collar, slouching around in slippers like all his companions.  He loathed bohemianism.  His linen was always clean, his shoes well-polished, and he bore his poverty with a careless pride.”

In Terrace Overlooking The Beach (1907)   Dufy used stripes of color to create a sense of space in the absence of traditional perspective, much as he delineated space by adding hatching to otherwise blank spaces in his engravings.His woodcuts for Guillaume Apollinaire's Le Bestiare ou Cortege d’Orphee  in 1910 attracted the attention of Paul Poiret.

Of the two men, Dufy was the younger.  Poiret was already an established couturier, recognized as an innovator in fashion. He was an amateur  painter and collector of African art and the friend of  Derain,  Picabia, Vlaminck, and Dunoyer de Segonzac.     "We dreamed of sumptuous curtains and dresses decorated in the taste of Botticelli," Poiret said in explaining their partnership.  Poiret had recently returned from a tour of the Wiener Werkstatte, convinced that the French were ready and able to reassert their per-eminence in the arts.

The two set up a studio together on the Boulevard de Clichy where Dufy designed fabrics for furniture.  Dufy was also in charge of manufacturing at La petite usine or The Little Factory, as they nicknamed it.   Poiret later wrote “There were the two of us, Dufy and I, like Bouvard and Pecuchet,  a the forefront of a new profession that would bring us new joys and new excitements.”  Their standing screen (1912) of rambling roses (roses sauvages), falling leaves and  dewdrops is executed with the rigorous geometry that is characteristic of Art Deco.

Also in 1912, the Lyon textile firm of Bianchini-Ferier commissioned Dufy to design fabrics for them, an association that last for two decades.  The French government, too, recognized that something new, voting to sponsor an international exhibition of the decorative arts in 1915.  Surely one historical "what if" is the path the new movement would have taken if war had not intervened.

Paul Poiret, a canny publicist, came up with a novel idea to promote their work by parading his models dressed in Dufy's patterns at the races.  Dufy, in his turn, commemorated Poiret's feat in tapestry (Poiret's Models at the Races, 1925, private collection, Flammarion) and gouache (The Presentation of Models at Poiret's, 1941, private collection, Galerie Malingue, Paris) and paintings. 

In 1925, Dufy acknowledged his debt to Matisse for “all the new reasons for painting.”  Reflecting on what he had learned from the experience of his own  early attempts, Dufy wrote in his notebook, “Painting means creating an image which is not the image of the appearance of things, but which has the power of their reality.”  This was also the year the world finally discovered Art Deco at  the  International Exposition in Paris.   (The Societe des Arts Decoratifs had been founded in 1900.) In 1937, as another war was simmering, Dufy's La Fee Electricite became the centerpiece of yet another  World's Fair in Paris. 

For more:
Raoul Dufy: A Celebration of Beauty, posted at The Curated Object, May 2009.
Dufy by Dora Perez-Tibi, translated from the French by Shaun Whiteside, New York, Harry N. Abrams: 1989.
Images by Raoul Dufy:
2.Red and blue flowers - textile; design for Bianchini- Ferier, Hokin Gallery, Palm Beach.
2. Seahorses and Sea shells, design for Bianchini-Ferier, 1925, Flammarion, Paris.
3. Havesters, ca. 1920, Bianchini-Ferier, Metropolitan Musuem of Art, NYC.
4.  La Terrasse sur la plage, 1907, Musee d'Art moderne de la ville de Paris.
5. Atelier Martine poster, ca. 1911, Fashion Institute of Design Museum, Los Angeles.
(with Paul Poiret) - Rose Paravent, for Atelier Martine, ca. 1912, Musee d'Orsay, Paris.
6. Textile design in black, brown, gold and white for Bianchini-Fereier, 1925.
7. Poiret's Models At the Races, mural, 1925,  private collection, courtesy Flammarion, Paris.
8. A model wears Le Perse, evening cape by Paul Poiret, fabric by Raoul Dufy, courtesy of Flammarion, Paris.
9. Le Tennis, ca. 1920-25, Musee d'Art moderne de la ville de Paris.
10. Rose textile, three cersions, ca. 1930-33, produced by Onondaga of New York, courtesy of Flammarion, Paris.


Gerry Snape said...

thankyou...one of my all time favourite french artists.

Jane said...

Gerry, I like to think of Raoul Dufy as one of those artists who is hidden in plain sight. he hasn't been ignored but he has certainly been underestimated, rather like Art Deco. Thanks for commenting.

violetta said...

Thank you, Raoul Dufy was and is a profoundly interesting artist.

Jane said...

Violetta, I agree with your sentiments whole-heartedly!

Tania said...

Very interesting, Dufy's unknown aspect for me. (Your blog will be my english lesson of the day.)

Unknown said...

A very interesting review with some great quotes, thank you!
We are also big fans of Raoul Dufy, but just recently came across his brother Jean's work, have you seen it? Was he wrongly ignored because of their similar painting styles?
More here about their tricky relationship and some pics. http://www.normandythenandnow.com/an-eye-for-beauty-in-le-havre/

Jane said...

Welcome and thanks, Normandy Thenandnow. Your are right in thinking that jean Dufy suffered by being compared to his prolific brother. Historians and critics often have a seeming quota for one artist - or writer - per family. This has been especially damaging to women,who have been assumed to be of lesser interest than their (more famous) husbands.
There was a joint exhibition of the bropthers' works at Musee Marmottan in Paris in 2011. The catalog was published (in French, only) as "Raoul et Jean Dufy: complicite et rupture".

Cheryl said...

Help me with my Raoul Dufy Dufy Mystery Please and let me know how I can post the photos of my Piece and the photo of Raouls Print of "La Cortisone" .
I am at a loss of how to Solve this ..Thank you in Advance

Hello, I am Writing you in Hope's you May be able to assist me or Direct me where to go to solve the Mystery of this Piece Please and Thank you in Advance.
I am not asking to to Appraise this just help solve the mystery  .
An aproximate value  would be  well received though😊

I just bought this Peculiar Art /Painting/Sketch...sorry not sure how to Classify it but this Lovely Piece I fell in Love with signed Raoul Dufy and am not Sure what exactly I have.

The  Owner/ Seller  an Elderly Gentleman Downsizing as his home of 53 Years Sold and this Piece was his Grandmother's passed on to him from Her Estate.

It measures about 11.5 " x 15.5 " and is framed in a not so great frame with Glass but the Cut out Protective press board on the back is nailed in with many tiny nails.

It Seems to be on some kind of Paper that has yellowed a bit. There are some tiny brown dots on the art in the top right hand corner .. likely soiled prior to covering it in this frame and I am afraid to destroy it if I remove.

First would you have any idea what exactly I have here and how I could gauge the value?

I appreciate any information etc that you can assist me with.

I am Looking forward to hearing back.

This is what I found so Far on this.

I have found Copied Prints of this That Raoul Donated to The Drs. That helped him in a Clinical Trial for Rheumatoid Arthritis which he had Suffered in his Hands in early 1950's...3 years before he ended up dying from the treatment of this Cortisone that caused a Stomach Ulcer that internally bledinside and killed him.
In Honor of the Dr. That helped him he did this art piece and made 10 Lithograph Floral Prints and named this one "La Cortisone"
Could this possibly be the original version?

I am thinking this was an earlier Original because the ones like in the 2nd Attached photo are Lithographs done for Special Gifts.

The Color is much more enhanced such as the peach and yellows.

Either mine are faded or an earlier Version upgraded for prints

It is a mystery and I love those...

It will be exciting to find out

Last Photo is the Lithograph Print named "La Cortisone" Signed by Raoul Dufy

Sincerest Regards