"Glory of expanded noon
when the trees give up no shade,
and more and more the look of things
is turning bronze, from excess light.
Above the sun - and a dry shore;
so my day is not yet done"
the finest hour is over the low wall
closed off by a pale setting sun."
- "Glory of Expanded Noon" by Eugenio Montale, translated from the Italian by William Arrowsmith, from The Collected Poems of Eugenio Montale, edited by Rosanna Warren, New York, W.W. Norton: 2012.
The first thing we notice in this photograph is the imperious quality of the light, the sun as master stage-crafter. Arches that we cannot see give the effect of proscenium arches silhouetting an open doorway and a cart full of harvest produce, pumpkins and squash. The door, the cart, the earth, and the terracotta walls just happen to be the palette we associate with autumn. And we have seen this light in Angela Prati's photograph before in the paintings of Italian painters.
Angela Prati was born at Piacenza and divides her time between Milan and Trento. She has traveled around Africa in a Land Rover, As well as writing for magazines and newspapers both Italian and intternational, Prati took the photograph's for Trentino: The Enchantments of Art and Nature (1987) and Alvisi Zorzi's book Luce di Venizia (The Light of Venice) (1989) among others. Pati has specialized in anthropologic research photography, focused on peoples and cultures that are often overlooked. In 2015 she was chosen by the Alinari Archives of Photography in Florence to interpret travel photography for their new project Alinari Contemporary
1, Angela Prati - Mantova (Mantua), photograph, Alinari Archives, Florence.
2, Giuseppe Abbati - Peasant Woman in the Sun, oil on canvas, Pinacoteca Provincale, Bari